The documents year by year - Undated

Ernest and Wonga speak about Ernest's reception at St Denis after his transfer back from Drancy; they speak of the end …

Ernest and Wonga hypothesise on why Ernest was transferred to Drancy; Wonga wants to know about other Black prisoners, …

Continuing from 153-1, Ernest and Wonga speak about Bailey, a fellow Black prisoner at St Denis, and the conditions in …

Ernest speaks of meeting a Black American soldier who deserted. Likely following files: 72-2 and 154-2About the recordi…

Ernest gives more details of the two traumatic incidences at Drancy and they speculate on why he was transferred there …

File continues from 65-1 on Ernest's transfer back to St Denis; Ernest gives details of conditions in Drancy and they s…

Ernest speaks of working for the American military post-World War II and post-War II conditionsAbout the recordings: Er…

Many topics: artists friends, Sonja Ferlov's sculpture during the war, American segregationAbout the recordings: Ernest…

Ernest speaks of his schooling and the need for Pathfinders because segregated South Africa would not allow Black boys …

Ernest speaks of teachers at the University of Fort Hare and Sister Inez who was his "spiritual mother"About the record…

Ernest and Wonga chronicle Ernest's education history and speak of South Africa's segregated education system. Precedin…

They speak of Ernest's youth and education in segregated South Africa; Ernest speaks of the Boy Scouts, continues 60-2A…

Ernest and Wonga speak of Ernest's education at the University of Fort Hare and the female teachersAbout the recordings…

The first part of the recording is the teachers at Grace Dieu Diocesan College; in the latter part, they are joined by …

Ernest and Wonga speak of Ernest's education at Grace Dieu Diocesan College and, in context, social and racial divide; …

Ernest speaks of one of his earliest works, an ecclesiastical object for the Anglican Church in South Africa.About the …

Ernest and Wonga speak about two of Ernest's earliest works, "Black Madonna" aka "African Madonna" (1929) and "Future A…

Whilst Ernest was teaching near Pietersberg, he was gifted woodcarvings which he has treasured; he and Wonga speak of t…

Ernest and Wonga speak of African art and the role it plays in society. Likely preceding file: 102-1. Continues 103-1.A…

Continued from 103-1, how Ernest could speak with the rural African artist. He and Wonga compare African and Western cu…